A SCHOLARLY BOOK REPOSITORY1613 start with S start with S
Copublished with the Tanner Trust Fund, J. Willard Marriott Library.
Robert Smithson’s earthwork, Spiral Jetty (1970), an icon of the Land Art movement of the 1960s and 1970s, is located on the northern shores of Utah’s Great Salt Lake. Smithson built a masterpiece from local materials, one that spirals counterclockwise into the lake and appears or is submerged with fluctuations in the lake’s locally red, saline water.
The Spiral Jetty Encyclo draws on Smithson’s writings for encyclopedic entries that bring to light the context of the earthwork and Smithson’s many points of reference in creating it. Visitors and armchair travelers, too, will discover how much significance Smithson placed on regional considerations, his immersion in natural history, his passion for travel, and his ability to use diverse mediums to create a cohesive and lasting work of art. Containing some 220 images, most of them in color, with some historical black and whites, The Spiral Jetty Encyclo lets readers explore the construction, connections, and significance of Smithson’s 1,500-foot-long curl into Great Salt Lake, created, in Smithson’s words, of “mud, salt crystals, rocks, water.”
Winner of 15 Bytes Book Award for Art Book.
Finalist for the Utah State Historical Society Best Book Award.
A case study about the formation of American pluralism and religious liberty, The Spires Still Point to Heaven explores why—and more importantly how—the early growth of Cincinnati influenced the changing face of the United States. Matthew Smith deftly chronicles the urban history of this thriving metropolis in the mid-nineteenth century. As Protestants and Catholics competed, building rival domestic missionary enterprises, increased religious reform and expression shaped the city. In addition, the different ethnic and religious beliefs informed debates on race, slavery, and immigration, as well as disease, temperance reform, and education.
Specifically, Smith explores the Ohio Valley’s religious landscape from 1788 through the nineteenth century, examining its appeal to evangelical preachers, abolitionists, social critics, and rabbis. He traces how Cincinnati became a battleground for newly energized social reforms following a cholera epidemic, and how grassroots political organizing was often tied to religious issues. He also illustrates the anti-immigrant sentiments and anti-Catholic nativism pervasive in this era.
The first monograph on Cincinnati’s religious landscape before the Civil War, The Spires Still Point to Heaven highlights Cincinnati’s unique circumstances and how they are key to understanding the cultural and religious development of the nation.
The Spirit of 1848 offers much new information and insight concerning craftwork, the nature of the antebellum labor movement (including the great New York City tailors' strike of 1850), the meaning of nativism, the significance of the push for land reform, the diverse character of the free-soil movement, and the popular appeals of both the Democratic and Republican parties.
The end result of these competing efforts, Tammy S. Gordon shows, was a national celebration that reflected some common themes, including a mistrust of federal power, an embrace of decentralized authority, and a new cultural emphasis on the importance of the self. The American Revolution Bicentennial can thus be seen as both a product of the social and political changes of the 1960s and a harbinger of things to come. After 1976, the postwar myth of a consensus view of American history came to an end, ensuring that future national commemorations would continue to be contested.
On any given night, hundreds of guests walk the darkened streets of Colonial Williamsburg looking for ghosts. Since the early 2000s, both the museum and private companies have facilitated these hunts, offering year-round ghost tours. Critics have called these excursions a cash grab, but in truth, ghosts and hauntings have long been at the center of the Colonial Williamsburg project.
The Spirit of Colonial Williamsburg examines how the long-dead past comes alive at this living-history museum. In the early twentieth century, local stories about the ghosts of former residents—among them Revolutionary War soldiers and nurses, tavern owners and prominent attorneys, and enslaved African Americans—helped to turn Williamsburg into a desirable site for historical restoration. But, for much of the twentieth century, the museum tried diligently to avoid any discussion of ghosts, considering them frivolous and lowbrow. Alena Pirok explores why historic sites have begun to embrace their spectral residents in recent decades, arguing that through them, patrons experience an emotional connection to place and a palpable understanding of the past through its people.
"A work of extraordinary ambition, written with great intensity. . . . [Pangle offers] a trenchant analysis of Locke's writings, designed to demonstrate their remarkable originality and to clarify by doing so as much as the objective predicament as the conscious intentions of the Founding Fathers themselves."—John Dunn, Times Higher Education Supplement
"A forcefully argued study of the Founding Fathers' debt to Locke. . . . What distinguishes Pangle's study from the dozens of books which have challenged or elaborated upon the republican revision is the sharpness with which he exposes the errors of the revisionists while at the same time leaving something of substantive value for the reader to consider."—Joyce Appleby, Canadian Journal of History
"Breathtaking in its daring and novelty. . . . Pangle's book is tense and tenacious, a stunning meditation on America's political culture."—John Patrick Diggins, Transactions of the C. S. Peirce Society
Winner of the Herbert G. Gutman Prize from the Labor and Working-Class History Association
In Spirit of Rebellion, Jarod Roll documents an alternative tradition of American protest by linking working-class political movements to grassroots religious revivals. He reveals how ordinary rural citizens in the south used available resources and their shared faith to defend their agrarian livelihoods amid the political and economic upheaval of the first half of the twentieth century.On the frontier of the New Cotton South in Missouri's Bootheel, the relationships between black and white farmers were complicated by racial tensions and bitter competition. Despite these divisions, workers found common ground as dissidents fighting for economic security, decent housing, and basic health, ultimately drawing on the democratic potential of evangelical religion to wage working-class revolts against commodity agriculture and the political forces that buoyed it. Roll convincingly shows how the moral clarity and spiritual vigor these working people found in the burgeoning Pentecostal revivals gave them the courage and fortitude to develop an expansive agenda of workers' rights by tapping into the powers of existing organizations such as the Socialist Party, the Universal Negro Improvement Association, the NAACP, and the interracial Southern Tenant Farmers' Union.
Soul food has played a critical role in preserving Black history, community, and culinary genius. It is also a response to--and marker of--centuries of food injustice. Given the harm that our food production system inflicts upon Black people, what should soul food look like today?
Christopher Carter's answer to that question merges a history of Black American foodways with a Christian ethical response to food injustice. Carter reveals how racism and colonialism have long steered the development of US food policy. The very food we grow, distribute, and eat disproportionately harms Black people specifically and people of color among the global poor in general. Carter reflects on how people of color can eat in a way that reflects their cultural identities while remaining true to the principles of compassion, love, justice, and solidarity with the marginalized.
Both a timely mediation and a call to action, The Spirit of Soul Food places today's Black foodways at the crossroads of food justice and Christian practice.
A new constitutional world burst into American life in the mid-twentieth century. For the first time, the national constitution's religion clauses were extended by the United States Supreme Court to all state and local governments. As energized religious individuals and groups probed the new boundaries between religion and government and claimed their sacred rights in court, a complex and evolving landscape of religion and law emerged.
Sarah Gordon tells the stories of passionate believers who turned to the law and the courts to facilitate a dazzling diversity of spiritual practice. Legal decisions revealed the exquisite difficulty of gauging where religion ends and government begins. Controversies over school prayer, public funding, religion in prison, same-sex marriage, and secular rituals roiled long-standing assumptions about religion in public life. The range and depth of such conflicts were remarkable—and ubiquitous.
Telling the story from the ground up, Gordon recovers religious practices and traditions that have generated compelling claims while transforming the law of religion. From isolated schoolchildren to outraged housewives and defiant prisoners, believers invoked legal protection while courts struggled to produce stable constitutional standards. In a field dominated by controversy, the vital connection between popular and legal constitutional understandings has sometimes been obscured. The Spirit of the Law explores this tumultuous constitutional world, demonstrating how religion and law have often seemed irreconcilable, even as they became deeply entwined in modern America.
In 1865 Jones returned to his prewar printing trade in Richmond, and his lasting reputation stems from his namesake publishing company’s role in the creation and dissemination of much of the Lost Cause ideology. Unlike the pro-Confederate books and pamphlets Jones published—primary among them the Southern Historical Society Papers—his diary shows the mindset of an unenthusiastic soldier. In a model of contextualization, Constance Hall Jones shows how her ancestor came to embrace an uncritical veneration of the army’s leadership and to promulgate a mythology created by veterans and their descendants who refused to face the amorality of their cause.
Jones brackets the soldier’s diary with rich, biographical detail, profiling his friends and relatives and providing insight into his childhood and post-war years. In doing so, she offers one of the first serious investigations into the experience of a Welsh immigrant family loyal to the Confederacy and makes a significant contribution to our understanding of Civil War–era Richmond and the nineteenth-century publishing industry. Invitingly written, The Spirits of Bad Men Made Perfect is an engaging life-and-times story that will appeal to historians and general readers alike.
In spring of 1953, newly elected President Eisenhower sat down with his staff to discuss the state of American strategy in the cold war. America, he insisted, needed a new approach to an urgent situation. From this meeting emerged Eisenhower’s teams of “bright young fellows,” charged with developing competing policies, each of which would come to shape global politics. In Spirits of the Cold War, Ned O’Gorman argues that the early Cold War was a crucible not only for contesting political strategies, but also for competing conceptions of America and its place in the world. Drawing on extensive archival research and wide reading in intellectual and rhetorical histories, this comprehensive account shows cold warriors debating “worldviews” in addition to more strictly instrumental tactical aims. Spirits of the Cold War is a rigorous scholarly account of the strategic debate of the early Cold War—a cultural diagnostic of American security discourse and an examination of its origins.
When the FBI arrested twenty-eight people in connection to a break-in at a Camden, New Jersey, draft board in 1971, the Bureau celebrated. The case should have been an easy victory for the department—the perpetrators had been caught red-handed attempting to destroy conscription documents for draftees into the Vietnam War. But the results of the trial surprised everyone, and in the process shook the foundations of American law, politics, and religion.
In Spiritual Criminals, Michelle M. Nickerson shares a complex portrait of the Camden 28, a passionate group of grassroots religious progressives who resisted both their church and their government as they crusaded against the Vietnam War. Founded by priests, nuns, and devout lay Catholics, members of this coalition accepted the risks of felony convictions as the cost of challenging the nation’s military-industrial complex and exposing the illegal counterintelligence operations of the FBI. By peeling away the layers of political history, theological traditions, and the Camden 28’s personal stories, Nickerson reveals an often-unseen spiritual side of the anti-war movement. At the same time, she probes the fractures within the group, detailing important conflicts over ideology, race, sex, and gender that resonate in the church and on the political Left today.
Gathered here are seventeen sound investment principles that will help people make sensible choices for financial security. What is surprising, however, is how applicable these principles are to life.
In Spiritual Merchants, Carolyn Morrow Long provides an inside look at the followers of African-based belief systems and the retailers and manufacturers who supply them. Traveling from New Orleans to New York, from Charleston to Los Angeles, she takes readers on a tour of these shops, examines the origins of the products, and profiles the merchants who sell them.
Long describes the principles by which charms are thought to operate, how ingredients are chosen, and the uses to which they are put. She then explores the commodification of traditional charms and the evolution of the spiritual products industry—from small-scale mail order "doctors" and hoodoo drugstores to major manufacturers who market their products worldwide. She also offers an eye-opening look at how merchants who are not members of the culture entered the business through the manufacture of other goods such as toiletries, incense, and pharmaceuticals. Her narrative includes previously unpublished information on legendary Voodoo queens and hoodoo workers, as well as a case study of John the Conqueror root and its metamorphosis from spirit-embodying charm to commercial spiritual product.
No other book deals in such detail with both the history and current practices of African-based belief systems in the United States and the evolution of the spiritual products industry. For students of folklore or anyone intrigued by the world of charms and candle shops, Spiritual Merchants examines the confluence of African and European religion in the Americas and provides a colorful introduction to a vibrant aspect of contemporary culture.
The Author: Carolyn Morrow Long is a preservation specialist and conservator at the the Smithsonian Institution’s National Museum of American History.
Andy Warhol is one of the best-known American artists of the twentieth century. He was also an observant Catholic who carried a rosary, went to mass regularly, kept a Bible by his bedside, and depicted religious subjects throughout his career. Warhol was a spiritual modern: a modern artist who appropriated religious images, beliefs, and practices to create a distinctive style of American art.
Spiritual Moderns centers on four American artists who were both modern and religious. Joseph Cornell, who showed with the Surrealists, was a member of the Church of Christ, Scientist. Mark Tobey created pioneering works of Abstract Expressionism and was a follower of the Bahá’í Faith. Agnes Pelton was a Symbolist painter who embraced metaphysical movements including New Thought, Theosophy, and Agni Yoga. And Warhol, a leading figure in Pop art, was a lifelong Catholic. Working with biographical materials, social history, affect theory, and the tools of art history, Doss traces the linked subjects of art and religion and proposes a revised interpretation of American modernism.
Between 1922 and 1930, Carl Van Vechten--one of the most significant figures of the Harlem Renaissance--kept a daily record of his activities. The records recount his day-to-day life, as well as the alliances, drinking habits, feuds, and affairs of a wide number of the period's luminaries, providing a rich resource for reconstructing the culture of 1920s New York and the social milieu during Prohibition. Bruce Kellner has provided copious informative notes identifying central figures and clarifying details.
Before the Chickasaws were removed to lands in Oklahoma in the 1800s, the heart of the Chickasaw Nation was located east of the Mississippi River in the upper watershed of the Tombigbee River in what is today northeastern Mississippi. Their lands had been called "splendid and fertile" by French governor Bienville at the time they were being coveted by early European settlers. The people were also termed “splendid” and described by documents of the 1700s as “tall, well made, and of an unparalleled courage. . . . The men have regular features, well-shaped and neatly dressed; they are fierce, and have a high opinion of themselves.”
The progenitors of the sociopolitical entity termed by European chroniclers progressively as Chicasa, Chicaca, Chicacha, Chicasaws, and finally Chickasaw may have migrated from west of the Mississippi River in prehistoric times. Or migrating people may have joined indigenous populations. Despite this longevity in their ancestral lands, the Chickasaw were the only one of the original "five civilized tribes" to leave no remnant community in the Southeast at the time of removal.
Atkinson thoroughly researches the Chickasaw Indians, tracing their history as far back as the documentation and archaeological record will allow. He historicizes from a Native viewpoint and outlines political events leading to removal, while addressing important issues such as slave-holding among Chickasaws, involvement of Chickasaw and neighboring Indian tribes in the American Revolution, and the lives of Chickasaw women.
Splendid Land, Splendid People will become a fundamental resource for current information and further research on the Chickasaw. A wide audience of librarians, anthropologists, historians, and general readers have long awaited publication of this important volume.
When Tennessee became the thirty-sixth and final state needed to ratify the Nineteenth Amendment in August 1920, giving women the right to vote, one group of women expressed bitter disappointment and vowed to fight against “this feminist disease.” Why this fierce and extended opposition? In Splintered Sisterhood, Susan Marshall argues that the women of the antisuffrage movement mobilized not as threatened homemakers but as influential political strategists.
Drawing on surviving records of major antisuffrage organizations, Marshall makes clear that antisuffrage women organized to protect gendered class interests. She shows that many of the most vocal antisuffragists were wealthy, educated women who exercised considerable political influence through their personal ties to men in politics as well as by their own positions as leaders of social service committees. Under the guise of defending an ideal of “true womanhood,” these powerful women sought to keep the vote from lower-class women, fearing it would result in an increase in the “ignorant vote” and in their own displacement from positions of influence. This book reveals the increasingly militant style of antisuffrage protest as the conflict over female voting rights escalated. Splintered Sisterhood adds a missing piece to the history of women’s rights activism in the United States and illuminates current issues of antifeminism.
A deft study of the evolving literary aesthetic of one of the first avant-garde black writers in America.
In Split-Gut Song, Karen Jackson Ford looks at what it means to be African American, free, and creative by analyzing Jean Toomer's main body of work, specifically, his groundbreaking creation Cane. When first published in 1923, this pivotal work of modernism was widely hailed as inaugurating a truly artistic African American literary tradition. Yet Toomer's experiments in literary form are consistently read in terms of political radicalism—protest and uplift—rather than literary radicalism.
Ford contextualizes Toomer's poetry, letters, and essays in the literary culture of his period and, through close readings of the poems, shows how they negotiate formal experimentation (imagism, fragmentation, dialect) and traditional African American forms (slave songs, field hollers, call-and-response sermons, lyric poetry). At the heart of Toomer's work is the paradox that poetry is both the saving grace of African American culture and that poetry cannot survive modernity. This contradiction, Ford argues, structures Cane, wherein traditional lyric poetry first flourishes, then falters, then falls silent.
The Toomer that Ford discovers in Split-Gut Song is a complicated, contradictory poet who brings his vexed experience and ideas of racial identity to both conventional lyric and experimental forms. Although Toomer has been labelled a political radical, Ford argues that politics is peripheral in his experimental, stream-of-consciousness work. Rather Toomer exhibits a literary radicalism as he struggles to articulate his perplexed understanding of race and art in 20th-century America.
Drawing on case evidence, Shupe employs classical and modern social exchange theories to explain the institutional dynamics of clergy misconduct. He argues that there is an implicit contract of reciprocity and compliance between congregants and religious leaders that, when amplified by the charismatic awe often associated with religious authorities, can lead to misconduct.
How does a blatant lying in TV commercials—like Joe Isuzu's manic claims—create public trust in a product or a company? How does a company associated with a disaster, Exxon or Du Pont for example, restore its reputation? What is the real story behind the rendering of the now infamous Joe Camel? And what is the deeper meaning of living in an ad, ad, ad world? For a decade, journalist Leslie Savan has been exposing the techniques used by advertisers to push products and pump up corporate images. In the lively essays in this collection, Savan penetrates beneath the slick surfaces of specific ads and marketing campaigns to show how they reflect and shape consumer desires.
Savan's interviews with ad agencies and corporate clients—along with her insightful analyses of influential TV sports—reveal how successful advertising works. Ads do more than command attention. They are signposts to the political, cultural, and social trends that infiltrate the individual consumer's psyche. Think of the products associated with corporate mascots—the drum-beating bunny, the cereal-pushing tiger, the doughboy—that have become pop culture icons. Think cool. Think of the clothing manufacturer that uses multiracial imagery. Think progressive. Buy their worldview, buy their product. When virtually every product can be associate with some positive self-image, we are subtly refashioned into the advertiser's concept of a good citizen. Like it or not, we lead "the sponsored life."
Sponsored Migration places Puerto Rico’s migration policy in its historical context, examining the central role the Puerto Rican government played in encouraging and organizing migration during the postwar period. Meléndez sheds an important new light on the many ways in which the government intervened in the movement of its people: attempting to provide labor to U.S. agriculture, incorporating migrants into places like New York City, seeking to expand the island’s air transportation infrastructure, and even promoting migration in the public school system. One of the first scholars to explore this topic in depth, Meléndez illuminates how migration influenced U.S. and Puerto Rican relations from 1898 onward.
A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River Anthology won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters's work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century.
A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.
What lies beneath the surface of Masters' timeless classic
One of the most striking and original achievements in American poetry is now available in a remarkable edition that comprehends the poet and his book in an entirely new way.
This edition of Spoon River Anthology probes the social background of the small-town world that Edgar Lee Masters loved and hated--and finally transmuted into powerful literary art. Extensive annotations identify the people whose lives inspired the 243 poetic accounts of frustration, violence, struggle, and triumph that shocked American readers.
The most extraordinary feature of this edition is the extensive introduction that provides the key to this misunderstood American classic. The book's relationship to Whitman is clearly established, and the important influences of Browning, Goethe, Spinoza, and others are revealed for the first time. John Hallwas' approach combines cultural, biographical, philosophical, psychoanalytic, mythic, and symbolic insights--and concludes with a stunning reassessment of "Our New Poet."
The annotated Spoon River Anthology supersedes seventy-five years of largely misdirected critical commentary. It will send a new generation of readers back to this surprisingly complex book that probes so deeply into the American consciousness.
The contributors to Sport and the Neoliberal University examine how intercollegiate athletics became a contested terrain of public/private interests. They look at college sports from economic, social, legal, and cultural perspectives to cut through popular mythologies regarding intercollegiate athletics and to advocate for increased clarity about what is going on at a variety of campuses with regard to athletics. Focusing on current issues, including the NCAA, Title IX, recruitment of high school athletes, and the Penn State scandal, among others, Sport and the Neoliberal University shows the different ways institutions, individuals, and corporations are interacting with university athletics in ways that are profoundly shaped by neoliberal ideologies.
Cronan’s lighthearted stories and succinct business tips will draw you in until you feel like you are present for every victory she describes on the court and in the workplace. Cronan’s business acumen and passionate approach to positive change will arm you with the outlook and the tools you need to revolutionize the professional and personal spheres in your life.
Sometimes the crack of the bat or the roar of the crowd fails to capture the meaning of sports as athletes themselves understand it. Books about sports have ignored this dimension of the subject, particularly the athletes’ own autobiographical accounts. In Sporting Lives, the first book to examine the two popular realms of sports and autobiography, James Pipkin looks at recurring patterns found in athletes’ accounts of their lives and sporting experiences, examining language, metaphor, rhetorical strategies, and other elements to analyze sports from the inside out.
Sporting Lives takes a fresh look at memoirs from baseball, football, basketball, golf, and other sports to explore how American athletes see themselves: not only how those images mesh with popular perceptions of them as heroes or celebrities but also how their accounts differ from those of sports journalists and other outsiders. Drawing on the life stories of such well-known figures as Wilt Chamberlain, Babe Ruth, and Martina Navratilova—both as-told-to and self-authored works—Pipkin follows players from the “echoing green” of eternal youth to the sometimes cultlike and isolated status of fame, interpreting recurring patterns both in the living of their lives and in the telling of them. He even considers Dennis Rodman’s four autobiographies to show how the contradictions of his self-portrayals reflect the Janus-faced quality of sports in the era of celebrity culture.
As Pipkin shows, the life of the athlete involves more than mere athleticism; it is also a world of nostalgia and sentiment, missed opportunities and lost youth. He sheds light on athletes’ common obsession with youth and body image—including gender and racial considerations—and explores their descriptions of being “in a zone,” that transcendent state when everything seems to click. And he considers the time that all athletes dread, when their bodies begin to betray them . . . and the cheering stops.
While the lives of athletes may often suggest the magic of Peter Pan, Pipkin’s engaging study reveals that they are in many ways more like the Lost Boys. Sporting Lives shows that the meaning of sports is intertwined with the telling. It is both an eminently readable book for fans and a critically sophisticated analysis that will engage scholars of literature, sports or media studies, and American popular culture.
Engaging a medley of perspectives and methodologies, these collected essays explore the sport-related symbols and events that have shaped southern regional identities since the Civil War. The authors range from the "backcountry" fighter stereotypes portrayed in modern professional wrestling to the significance of Crimson Tide coaching legend Paul "Bear" Bryant for white Alabamians while other essays tackle gender and race relations in intercollegiate athletics, the roles athletic competitions played in desegregating the South, and NASCAR's popularity in southern states.
Pairing the action and anecdotes of good sportswriting with rock-solid scholarship, The Sporting World of the Modern South adds historical and anthropological perspectives to legends and lore from the gridiron to the racetrack.
The typical female sports fan remains very different from her male counterparts. In their insightful and engaging book, Sportista, Andrei S. Markovits and Emily Albertson examine the significant ways many women have become fully conversant with sports—acquiring a knowledge of and passion for them as a way of forging identities that until recently were quite alien to women.
Sportista chronicles the relationship that women have developed with sports in the wake of the second wave of feminism of the late 1960s and early 1970s. The changes women athletes have achieved have been nothing short of revolutionary. But, as Markovits and Albertson argue, women’s identities as sports fans, though also changed in recent decades, remain notably different from that of men. Sportista highlights the impediments to these changes that women have faced and the reality that, even as bona fide fans, they “speak” sports differently from and remain largely unaccepted by men.
In the series Politics, History and Social Change, edited by John C. Torpey
ever written, I'd like to see the book that beats it. . . . Should be
read by every sports fan or -- for that matter -- social critic."
--From a five-star review, West Coast Review of Books.
"Explores its subject so thoroughly and demolishes so many commonly
held assumptions that after reading it even the most knowledgeable fans
(and some journalists) should feel like drunks who have suddenly been
forced to sober up."
-- Chicago Tribune
"Required reading for anyone who calls himself a fan."
-- Chicago Sun-Times
"An invaluable contribution to sports literature."
-- Howard Cosell
Chicago teams have won the World Series, Super Bowl, multiple Stanley Cups, and a string of National Basketball Association titles. But amateur sports also play a large role in the city's athletic traditions, especially in schools and youth leagues that allow people from across the city to add to Chicago sports history.
In Sports and Chicago, an all-star roster of experts focuses on multiple aspects of Chicago sports, including long looks at amateur boxing, the impact of gender and ethnicity in sports, the politics of horse racing and stadium building, the lasting scandal of the Black Sox, and the once-perpetual heartbreak of the Cubs. Illustrated with forty photographs, the collection encourages historians and sports fans alike to appreciate the long-standing importance of sports in the Windy City.
Contributors: Peter Alter, Robin F. Bachin, Larry Bennett, Linda J. Borish, Gerald Gems, Elliott J. Gorn, Richard Kimball, Gabe Logan, Daniel A. Nathan, Timothy Neary, Steven A. Riess, John Russick, Timothy Spears, Costas Spirou, and Loïc Wacquant.
In Sports Movies, Lester D. Friedman describes the traditional formulas that have made these movies such crowd-pleasers, including stock figures like the disgraced athlete on a quest for redemption, or the wise old coaches who help mentor the heroes to victory. He also explores how the genre’s attitudes have changed over time, especially in key issues like class, race, masculinity, and women in sports.
Along the way, he takes stock of sports films from the dawn of cinema’s silent era to the present day, including classic baseball movies like Pride of the Yankees and Bull Durham, basketball movies like Hoosiers and He’s Got Game, football movies like Friday Night Lights and Rudy, and boxing movies like Raging Bull and Million Dollar Baby. As Friedman’s analyses reveal, not only do sports movies influence our perceptions about the drama of real-life sports, but they also help to shape our attitudes toward the competitive ethos in American life.
The story of Texas’s impact on American sports culture during the civil rights and second-wave feminist movements, this book offers a new understanding of sports and society in the state and the nation as a whole.
In the 1960s and 1970s, America experienced a sports revolution. New professional sports franchises and leagues were established, new stadiums were built, football and basketball grew in popularity, and the proliferation of television enabled people across the country to support their favorite teams and athletes from the comfort of their homes. At the same time, the civil rights and feminist movements were reshaping the nation, broadening the boundaries of social and political participation. The Sports Revolution tells how these forces came together in the Lone Star State.
Tracing events from the end of Jim Crow to the 1980s, Frank Guridy chronicles the unlikely alliances that integrated professional and collegiate sports and launched women’s tennis. He explores the new forms of inclusion and exclusion that emerged during the era, including the role the Dallas Cowboys Cheerleaders played in defining womanhood in the age of second-wave feminism. Guridy explains how the sexual revolution, desegregation, and changing demographics played out both on and off the field as he recounts how the Washington Senators became the Texas Rangers and how Mexican American fans and their support for the Spurs fostered a revival of professional basketball in San Antonio. Guridy argues that the catalysts for these changes were undone by the same forces of commercialization that set them in motion and reveals that, for better and for worse, Texas was at the center of America’s expanding political, economic, and emotional investments in sport.
The stories behind and legacies of important sports photos from the last 130 years.
Ever since photography and professional sports originated in the nineteenth century, photographers have shaped how we perceive sports. Sports through the Lens collects essays by twenty-five historians that consider what it means to capture and revisit a moment of cultural significance in sports, looking at each photo’s creation, contexts, and how its meaning has shifted over time. Some essays provide fresh perspective on such iconic images as Muhammad Ali standing over Sonny Liston at their 1965 rematch and Michael Jordan soaring at the 1988 NBA All-Star Game slam dunk competition; others introduce readers to the lesser-known stories of the first woman to officially run the Boston Marathon or the inaugural World Indigenous Games. The authors examine their legacies alongside the artistry of both the athletes and the photographers. Reflecting on images of athletes from around the world engaged in sports from baseball to horse-racing to hockey, Sports through the Lens provides a wide-ranging meditation on the visual, historical, and cultural meaning of sports photographs.
In the America of 2017—where the SuperBowl is worth billions, athletes are penalized or forced out of sports for political and anti-racist activism, and Title IX is constantly questioned and undermined—Robert Lipsyte’s 1975 critique remains startlingly and intensely relevant.
In 1959, Gerald Eskenazi dropped out of City College, not for the first time, and made his way to the New York Times. That day the paper had two openings—one in news and one in sports. Eskenazi was offered either for thirty-eight dollars a week. He chose sports based on his image of the sports department as a cozier place than the news department. Forty-one years and more than eighty-four hundred stories later, New Yorkers know he made the right decision.
Sprawl and Suburbia brings together some of the foremost thinkers in the field to present in-depth diagnosis and critical analysis of the physical and social realities of exurban sprawl. Along with an introduction by Robert Fishman, these essays call for architects, urban planners, and landscape designers to work at mitigating the impact of sprawl on land and resources and improving the residential and commercial built environment as a whole. In place of vast residential exurbs, these writers offer visions of a fresh urbanism—appealing and persuasive models of life at greater density, with greater diversity, and within genuine communities.
With sprawl losing the support of suburban citizens themselves as economic, environmental, and social costs are being paid, Sprawl and Suburbia appears at a moment when design might achieve some critical influence over development—if architects and planners accept the challenge.
Contributors: Mike Davis, Ellen Dunham-Jones, Peter Hall, David Harvey, Jerold S. Kayden, Matthew J. Kiefer, Alex Krieger, Andrew Ross, James S. Russell, Mitchell Schwarzer.
William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at the Harvard Design School. He is the author of Modern Architecture: Photographs by Ezra Stoller.
Robert Fishman is professor of architecture and urban planning at the Taubman College of Architecture, University of Michigan. He is author of Bourgeois Utopias: The Rise and Fall of Suburbia and editor of The American Planning Tradition: Culture and Policy.
The environmental impacts of sprawling development have been well documented, but few comprehensive studies have examined its economic costs. In 1996, a team of experts undertook a multi-year study designed to provide quantitative measures of the costs and benefits of different forms of growth. Sprawl Costs presents a concise and readable summary of the results of that study.
The authors analyze the extent of sprawl, define an alternative, more compact form of growth, project the magnitude and location of future growth, and compare what the total costs of those two forms of growth would be if each was applied throughout the nation. They analyze the likely effects of continued sprawl, consider policy options, and discuss examples of how more compact growth would compare with sprawl in particular regions. Finally, they evaluate whether compact growth is likely to produce the benefits claimed by its advocates.
The book represents a comprehensive and objective analysis of the costs and benefits of different approaches to growth, and gives decision-makers and others concerned with planning and land use realistic and useful data on the implications of various options and policies.
The Sprawl Repair Manual draws on more than two decades of practical experience in the field of repairing and building communities to analyze the current pattern of sprawl development, disassemble it into its elemental components, and present a process for transforming them into human-scale, sustainable elements. The techniques are illustrated both two- and three-dimensionally, providing users with clear methodologies for the sprawl repair interventions, some of which are radical, but all of which will produce positive results.
In the seven decades from its establishment in 1775 to the commercialization of the electric telegraph in 1844, the American postal system spurred a communications revolution no less far-reaching than the subsequent revolutions associated with the telegraph, telephone, and computer. This book tells the story of that revolution and the challenge it posed for American business, politics, and cultural life.
During the early republic, the postal system was widely hailed as one of the most important institutions of the day. No other institution had the capacity to transmit such a large volume of information on a regular basis over such an enormous geographical expanse. The stagecoaches and postriders who conveyed the mail were virtually synonymous with speed.
In the United States, the unimpeded transmission of information has long been hailed as a positive good. In few other countries has informational mobility been such a cherished ideal. Richard John shows how postal policy can help explain this state of affairs. He discusses its influence on the development of such information-intensive institutions as the national market, the voluntary association, and the mass party. He traces its consequences for ordinary Americans, including women, blacks, and the poor. In a broader sense, he shows how the postal system worked to create a national society out of a loose union of confederated states. This exploration of the role of the postal system in American public life provides a fresh perspective not only on an important but neglected chapter in American history, but also on the origins of some of the most distinctive features of American life today.
Drawing on his workshops in Rochester, Talarico describes a unique approach for eliciting poetry from people of many ages and backgrounds—particularly underpriviledged urban kids and the elderly. The process—from dialogue to self-expression to publication to public event—illuminates the urgency and meaning of releasing the spirit captured in each man and woman and child’s experience. "Some people say that Ross Talarico has done the impossible," the Today Show remarked of his success in Rochester; and with this book Talarico offers the same opportunity to others. Teachers, community leaders, parents, and children will be able to follow his practical, hands-on approach to encouraging self-expression in diverse, even unlikely, settings. They will see here how poetry is indeed relevant, ever more crucial to our identity as the culture evolves—how it is, finally, the place where the inarticulate can come to speak for themselves.
Developed just after the close of the Civil War, the Springfield Gas Machine was a unique commercial and domestic gas lighting system marketed for use in homes and businesses outside of a city’s gas works. The self-contained unit was perfectly suited to accommodate an expanding rural and suburban U.S. landscape as middle- and upper-class American families were looking to find simplicity in the countryside without losing any modern comforts of the city. Industries, too, were looking for a means to operate more efficiently and implement longer work hours for various production operations. Perhaps more important, owners of the Springfield system could retain control of their light production during a time when corporations were reaping large benefits from their monopolistic hold over municipal gas works.
In addition to detailing preserved Springfield systems across the country, Donald W. Linebaugh uses newspapers and magazine articles, advertisements, patents, and even mail-order catalogs to tell the story of this one-of-a-kind unit. The Gilbert and Barker Manufacturing Company's innovative business plan established them as a leader in the manufacture of gas lighting devices. By taking gasoline from an oft-discarded byproduct of refining crude oil to a viable fuel source, the company paved the way for other gas-powered appliances to improve household management strategies and industrial production. In capturing the pre-automobile market for gasoline, Gilbert and Barker attracted the attention of the Standard Oil Trust, presaging the oil-industry dominance over gasoline production that continues today.
The story of the Springfield gas machine ends in the early twentieth century as the advent of electricity proved more available to the masses with considerably less expense. However, gas lighting was, for its time, a major innovation in domestic and commercial lighting, and it changed daily life and social behaviors in the late nineteenth century as the comforts of home became a reality for suburban and rural Americans.
In literature and film the spy chief is an all-knowing, all-powerful figure who masterfully moves spies into action like pieces on a chessboard. How close to reality is that depiction, and what does it really take to be an effective leader in the world of intelligence?
This first volume of Spy Chiefs broadens and deepens our understanding of the role of intelligence leaders in foreign affairs and national security in the United States and United Kingdom from the early 1940s to the present. The figures profiled range from famous spy chiefs such as William Donovan, Richard Helms, and Stewart Menzies to little-known figures such as John Grombach, who ran an intelligence organization so secret that not even President Truman knew of it. The volume tries to answer six questions arising from the spy-chief profiles: how do intelligence leaders operate in different national, institutional, and historical contexts? What role have they played in the conduct of international relations and the making of national security policy? How much power do they possess? What qualities make an effective intelligence leader? How secretive and accountable to the public have they been? Finally, does popular culture (including the media) distort or improve our understanding of them? Many of those profiled in the book served at times of turbulent change, were faced with foreign penetrations of their intelligence service, and wrestled with matters of transparency, accountability to democratically elected overseers, and adherence to the rule of law. This book will appeal to both intelligence specialists and general readers with an interest in the intelligence history of the United States and United Kingdom.
Save when you purchase Volumes 1 and 2 in a bundle!
The first volume of Spy Chiefs broadens and deepens our understanding of the role of intelligence leaders in foreign affairs and national security in the United States and United Kingdom from the early 1940s to the present. The figures profiled range from famous spy chiefs such as William Donovan, Richard Helms, and Stewart Menzies to little-known figures such as John Grombach, who ran an intelligence organization so secret that not even President Truman knew of it. The volume tries to answer six questions arising from the spy-chief profiles: how do intelligence leaders operate in different national, institutional, and historical contexts? What role have they played in the conduct of international relations and the making of national security policy? How much power do they possess? What qualities make an effective intelligence leader? How secretive and accountable to the public have they been? Finally, does popular culture (including the media) distort or improve our understanding of them? Many of those profiled in the book served at times of turbulent change, were faced with foreign penetrations of their intelligence service, and wrestled with matters of transparency, accountability to democratically elected overseers, and adherence to the rule of law. This book will appeal to both intelligence specialists and general readers with an interest in the intelligence history of the United States and United Kingdom.
The second volume of Spy Chiefs goes beyond the commonly studied spy chiefs of the United States and the United Kingdom to examine leaders from Renaissance Venice to the Soviet Union, Germany, India, Egypt, and Lebanon in the twentieth century. It provides a close-up look at intelligence leaders, good and bad, in the different political contexts of the regimes they served. The contributors to the volume try to answer the following questions: how do intelligence leaders operate in these different national, institutional and historical contexts? What role have they played in the conduct of domestic affairs and international relations? How much power have they possessed? How have they led their agencies and what qualities make an effective intelligence leader? How has their role differed according to the political character of the regime they have served? The profiles in this book range from some of the most notorious figures in modern history, such as Feliks Dzerzhinsky and Erich Mielke, to spy chiefs in democratic West Germany and India.
Through every era of American history, New York City has been a battleground for international espionage, where secrets are created, stolen, and passed through clandestine meetings and covert communications. Some spies do their work and escape, while others are compromised, imprisoned, and—a few—executed. Spy Sites of New York City takes you inside this shadowy world and reveals the places where it all happened.
In 233 main entries as well as listings for scores more spy sites, H. Keith Melton and Robert Wallace weave incredible true stories of derring-do and double-crosses that put even the best spy fiction to shame. The cases and sites follow espionage history from the Revolutionary War and Civil War, to the rise of communism and fascism in the twentieth century, to Russian sleeper agents in the twenty-first century. The spy sites are not only in Manhattan, Brooklyn, Queens, and the Bronx but also on Long Island and in New Jersey. Maps and 380 photographs allow readers to follow in the footsteps of spies and spy-hunters to explore the city, tradecraft, and operations that influenced wars hot and cold. Informing and entertaining, Spy Sites of New York City is a must-have guidebook to the espionage history of the Big Apple.
An illustrated guide to the history of espionage in Philadelphia and the Delaware Valley.
Philadelphia became a battleground for spies as George Washington’s Patriot army in nearby Valley Forge struggled to survive the winter of 1776-77. In the centuries that followed—through the Civil War, the rise of fascism and communism in the twentieth century, and today’s fight against terrorism—the city has been home to international intrigue and some of America’s most celebrated spies.
Spy Sites of Philadelphia takes readers inside this shadowy world to reveal the places and people of Philadelphia’s hidden history. These fascinating entries portray details of stolen secrets, clandestine meetings, and covert communications through every era of American history. Along the way, readers will meet both heroes and villains whose daring deceptions helped shape the nation.
Authors H. Keith Melton and Robert Wallace weave incredible true stories of courage and deceit that rival even the best spy fiction. Featuring over 150 spy sites in Philadelphia and its neighboring towns and counties, this illustrated guide invites readers to follow in the footsteps of moles and sleuths.
Authoritative, entertaining, and informative, Spy Sites of Philadelphia is a must-have guidebook to the espionage history of the region.
Washington Post Bestseller
Washington, DC, stands at the epicenter of world espionage. Mapping this history from the halls of government to tranquil suburban neighborhoods reveals scoresof dead drops, covert meeting places, and secret facilities—a constellation ofclandestine sites unknown to even the most avid history buffs. Until now.
Spy Sites of Washington, DC traces more than two centuries of secret history from the Mount Vernon study of spymaster George Washington to the Cleveland Park apartment of the “Queen of Cuba.” In 220 main entries as well as listings for dozens more spy sites, intelligence historians Robert Wallace and H. Keith Melton weave incredible true stories of derring-do and double-crosses that put even the best spy fiction to shame. Maps and more than three hundred photos allow readers to follow in the winding footsteps of moles and sleuths, trace the covert operations that influenced wars hot and cold, and understand the tradecraft traitors and spies alike used in the do-or-die chess games that have changed the course of history.
Informing and entertaining, Spy Sites of Washington, DC is the comprehensive guidebook to the shadow history of our nation’s capital.
Can you keep a secret?
Maybe you can, but the United States government cannot. Since the birth of the country, nations large and small, from Russia and China to Ghana and Ecuador, have stolen the most precious secrets of the United States.
Written by Michael Sulick, former director of CIA’s clandestine service, Spying in America presents a history of more than thirty espionage cases inside the United States. These cases include Americans who spied against their country, spies from both the Union and Confederacy during the Civil War, and foreign agents who ran operations on American soil. Some of the stories are familiar, such as those of Benedict Arnold and Julius Rosenberg, while others, though less well known, are equally fascinating.
From the American Revolution, through the Civil War and two World Wars, to the atomic age of the Manhattan Project, Sulick details the lives of those who have betrayed America’s secrets. In each case he focuses on the motivations that drove these individuals to spy, their access and the secrets they betrayed, their tradecraft or techniques for concealing their espionage, their exposure and punishment, and the damage they ultimately inflicted on America’s national security.
Spying in America serves as the perfect introduction to the early history of espionage in America. Sulick’s unique experience as a senior intelligence officer is evident as he skillfully guides the reader through these cases of intrigue, deftly illustrating the evolution of American awareness about espionage and the fitful development of American counterespionage leading up to the Cold War.
In the aftermath of the Civil War, thousands of former slaves made their way from the South to the Kansas plains. Called “Exodusters,” they were searching for their own promised land. Bryan Jack now tells the story of this American exodus as it played out in St. Louis, a key stop in the journey west.
Many of the Exodusters landed on the St. Louis levee destitute, appearing more as refugees than as homesteaders, and city officials refused aid for fear of encouraging more migrants. To the stranded Exodusters, St. Louis became a barrier as formidable as the Red Sea, and Jack tells how the city’s African American community organized relief in response to this crisis and provided the migrants with funds to continue their journey.
The St. Louis African American Community and the Exodusters tells of former slaves such as George Rogers and Jacob Stevens, who fled violence and intimidation in Louisiana and Mississippi. It documents the efforts of individuals in St. Louis, such as Charlton Tandy, Moses Dickson, and Rev. John Turner, who reached out to help them. But it also shows that black aid to the Exodusters was more than charity. Jack argues that community support was a form of collective resistance to white supremacy and segregation as well as a statement for freedom and self-direction—reflecting an understanding that if the Exodusters’ right to freedom of movement was limited, so would be the rights of all African Americans. He also discusses divisions within the African American community and among its leaders regarding the nature of aid and even whether it should be provided.
In telling of the community’s efforts—a commitment to civil rights that had started well before the Civil War—Jack provides a more complete picture of St. Louis as a city, of Missouri as a state, and of African American life in an era of dramatic change. Blending African American, southern, western, and labor history, The St. Louis African American Community and the Exodusters offers an important new lens for exploring the complex racial relationships that existed within post-Reconstruction America.
Berger uses a biographical approach to explore the individuals and institutions that played a leading role in St. Louis’s expansionist reach. He shows how St. Louis business leaders, entrepreneurs, politicians, and investors—often driven by personal and ideological motives, as well as the potential betterment of the city and its people—looked to the west, southwest, Latin America, Europe, Asia, and the Pacific to form economic or political partnerships. Among the people and companies Berger profiles are Thomas Hart Benton, who envisioned a western democratic capitalist empire hosted by St. Louis; cotton exporters James Paramore and William Senter, who were involved in empire building in the southwest and Mexico; St. Louis oil tycoon and railroad investor Henry Clay Pierce, who became deeply involved in political intrigue and intervention in Mexican affairs; entrepreneur and politician David R. Francis, who promoted personal and St. Louis interests in Russia; and McDonnell-Douglas and its founder, James S. McDonnell Jr., who were part of the transformation of St. Louis’s political economy during the Cold War.
Many of these attempted imperial activities failed, but even when they succeeded, Berger explains, the economy and the people of St. Louis did not usually benefit. The vision of a democratic capitalist empire embraced by its exponents proved to be both an illusion and a contradiction. By shifting the focus of foreign relations history from the traditional confines of nation-state conduct to city and regional behavior, this innovative study highlights the domestic foundations and content of foreign policy, opening new avenues for study in the field of foreign relations.
Drawing on new source materials, the authors delve into the complexities of politics, Indian affairs, slavery, and material culture that defined the city's founding period. Their alternative version of the oft-told tale uncovers the imperial realities--as personified by St. Ange--that truly governed in the Illinois Country of the time, and provide a trove of new information on everything from the fur trade to the arrival of the British and Spanish after the Seven Years' War.
This charming autobiography captures the life story of a fascinating woman—a Missouri girl turned world-class soprano who remained true to her roots through it all. Born and reared in St. Louis and proud of her origins, Helen Traubel grew up in a modest German American family. She spent her teens and twenties singing with church choirs and quartets in the city, studying under first- rate teachers. She did not leave Missouri for New York until she was in her early thirties. Although she replaced the great Kirsten Flagstad at the Metropolitan Opera, she refused to confine herself to singing before elite crowds and prided herself on reaching a larger, more general audience via nightclubs, radio, television, and theater.
St. Louis Woman is filled with candid and amusing stories as full of zest as Traubel herself. In the early 1940s, she secured a rare opportunity to audition for the Ford Hour. Arriving at the studio with a terrible case of poison ivy and an understandably short temper, the diva began singing on cue as the top executives of the program listened from upstairs. During her first song, the booth technicians interrupted her performance with laughter. Furious, she announced she would sing no more and started to leave. Without explanation, the technicians asked her to continue. Traubel later discovered that the higher-ups had called down to the technicians demanding they stop playing the Flagstad record and let "that kid" sing.
The qualities that made Traubel such a notable individual are captured in this entertaining book. Her strong, independent character shines through. Outspoken and at times brutally honest, Traubel recounts her experiences at the Met, as both a popular performer and a teacher. She tells of exasperating moments when she was coaching famous pupil Margaret Truman.
This is not a fact-laden examination of the singer's Wagnerian repertory or a study of high opera; rather this engaging book introduces the reader to a nationally renowned performer who, despite her unmatched talent, retained her hometown identity and lived her life as a St. Louis woman.
Celebrating 250 years, St. Peter's Episcopal Church in the Society Hill neighborhood of Philadelphia, has witnessed a rich mixture of people and events that reflect critical periods of American political and cultural history. George Washington worshiped here as did abolitionists and slave holders, Whigs, Democrats, and Republicans. St. Peter's was a point of first contact for thousands of immigrants, and the church opened schools for immigrants to help them to acculturate to life in Philadelphia.
Opening a window onto colonial Philadelphia and the nation's histories, St. Peter's Church is a glorious testament to this National Historic Landmark. In addition to the stories and hundreds of black-and-white and color photographs, this handsome volume provides a history of the grounds, the churchyard, and the church itself-a classic example of eighteenth-century Philadelphia design that later incorporated the work of renown architects William Strickland, Thomas U. Walter, and Frank Furness.
Hopkins finds that although personal experience with the ACA’s Medicaid expansion increased favorability among low-income Americans, it did not have a broader overall impact on public opinion. Personal experience with the Health Insurance Marketplace did not increase wider support for the ACA either. Due to the complex nature of the law, users of the Marketplace often did not realize they were benefiting from the ACA. Therefore, perceptions of the Marketplace were shaped by high-profile issues with the enrollment website and opposition to the individual mandate. These experiences ultimately offset one another, resulting in little discernable change in public opinion overall. Hopkins argues that political polarization was also responsible for elite’s limited influence and that public opinion on the ACA was largely determined by partisanship and political affiliation. Americans quickly aligned with their party’s stance on the law and were resistant to changing their beliefs despite the efforts of political elites.
Stable Condition is an illuminating examination of the limits of elites’ influence and the forces that shaped public opinion about the Affordable Care Act.
Though we rarely see them at work, building inspectors have the power to significantly shape our lives through their discretionary decisions. The building inspectors of Chicago are at the heart of sociologist Robin Bartram’s analysis of how individuals impact—or attempt to impact—housing inequality. In Stacked Decks, she reveals surprising patterns in the judgment calls inspectors make when deciding whom to cite for building code violations. These predominantly white, male inspectors largely recognize that they work within an unequal housing landscape that systematically disadvantages poor people and people of color through redlining, property taxes, and city spending that favor wealthy neighborhoods. Stacked Decks illustrates the uphill battle inspectors face when trying to change a housing system that works against those with the fewest resources.
Exploring the intersection between performance and politics and the direct impact of the arts on social activism, Dail argues Stage for Action is a theatrical reflection of progressivism and the pro-working-class theatrical aesthetic of the 1940s. The theatre group, which used performance to encourage direct action and personal responsibility for change, eventually would function as the theatrical voice of the United States Progressive Party in the failed presidential campaign of former vice president Henry A. Wallace.
Calling into question the widely held belief that U.S. theatre in the early years of the Cold War was indifferent to activism, Stage for Action offers historians a new interpretation of social activist performance at midcentury.
In this first modern book-length biography of native Englander William E. Burton, theatre historian David L. Rinear explores Burton’s diary, letters, published reviews, and various reminiscences to reveal the tumultuous personal and professional lives of the mid-nineteenth-century actor/manager and his role in American literary history. Stage, Page, Scandals, and Vandals: William E. Burton and Nineteenth-Century American Theatre also provides insight into the cultural and artistic climate of an early period in American history when the country was still forming a national identity.
Burton fled England in 1834 and came to America in the wake of a public scandal caused by his marriage to a sixteen-year-old orphan. Burton was then already married with a ten-year-old son. Settling in Philadelphia, the thirty-two-year-old actor rapidly established himself in the city’s theatrical productions and quickly became an audience favorite.
In 1837, while continuing to act, Burton founded and edited The Gentleman’s Magazine, a monthly literary publication later called Burton’s Gentleman’s Magazine. Burton hired struggling author Edgar Allan Poe as coeditor, and the journal achieved literary acclaim as it first published many of Poe’s short stories and poems.
Burton sold the journal in 1841 and used the money to build a new theatre, which he managed, although the depression of the early 1840s soon drove his venture out of business. After declaring bankruptcy the following year, Burton worked as a touring actor before returning to theatre management in 1845. For the next thirteen years, Burton managed a succession of theatres in Philadelphia, Baltimore, and New York.
Burton’s work as a producer of Shakespearean comedies and romances marks him as the first of the intellectual theatre managers to raise the theatrical experience from mere popular culture to high art. Burton made a fortune in his ventures, amassed the finest private Shakespearean library in the country, and built a grand seaside estate in Glen Cove, Long Island. Shrewd in his personal affairs and in business, Burton also had a violent temper, which led him to viciously attack his competitors. His peculiar domestic relationships marred his brilliant career as an actor, manager, and man of letters; he may have been married to three women at once and lived with two of these women simultaneously.
Fully revealing Burton’s contributions to American culture, Rinear traces Burton’s personal and professional pursuits from his emigration to his death in 1860. Bolstered by twenty-two illustrations, Stage, Page, Scandals, and Vandals sheds light on the history of American entertainment during the antebellum era, exposes the ruthless business practices required to succeed in theatre and literary magazine publishing, and reveals a sense of what constituted celebrity status in mid-nineteenth-century America.
In 1935, a group of journalists and theater artists embarked on an unusual collaboration. With funds from the Federal Theatre Project (FTP), a Depression-era employment initiative established by President Roosevelt’s New Deal, they set out to produce news for the theatrical stage. Over the next four years, the New York–based team created six productions, known as the Living Newspapers. Covering a variety of public issues that included affordable housing, the plight of Dust Bowl farmers, the Tennessee Valley Authority, and labor law, Living Newspaper productions would reach hundreds of thousands of spectators and inspire adaptations across the country.
Staged News interprets the Living Newspaper’s process and repertoire amid journalists’ changing conceptions of their profession. Jordana Cox spotlights marginalized “newsmakers,” particularly Black artists, who challenged the parameters of public knowledge and assumptions surrounding newsworthiness. This timely analysis reveals how a vital theatrical form sprouted from a changing news landscape and reimagined what journalism could do for people seeking democratic change.
Based in the historical archive, Staged Readings presents a panoramic display of mid-century leisure and entertainment. It examines best-selling novels, such as Harriet Beecher Stowe’s Uncle Tom’s Cabin and George Lippard’s The Quaker City. But it also analyzes a series of sensational melodramas, parlor theatricals, doomsday speeches, tableaux vivant displays, curiosity museum exhibits, and fake volcano explosions. These oft-overlooked spectacles capitalized on consumers’ previous cultural encounters and directed their social identifications. The book will be particularly appealing to those interested in histories of popular theater, literature and reading, social class, and mass culture.
Stages of Emergency covers public education campaigns and school programs—such as the ubiquitous “duck and cover” drills—meant to heighten awareness of the dangers of a possible attack, the occupancy tests in which people stayed sequestered for up to two weeks to simulate post-attack living conditions as well as the effects of confinement on interpersonal dynamics, and the British first-aid training in which participants acted out psychological and physical trauma requiring immediate treatment. Davis also brings to light unpublicized government exercises aimed at anticipating the global effects of nuclear war. Her comparative analysis shows how the differing priorities, contingencies, and social policies of the three countries influenced their rehearsals of nuclear catastrophe. When the Cold War ended, so did these exercises, but, as Davis points out in her perceptive afterword, they have been revived—with strikingly similar recommendations—in response to twenty-first-century fears of terrorists, dirty bombs, and rogue states.
This is the first in-depth study of the entire corpus of Latina theater, based on close readings of works both published and in manuscript. It considers a large body of productions and performances, including works by such internationally known authors as Dolores Prida, Cherríe Moraga, and Janis Astor del Valle.
Applying feminist and postcolonial theory as well as theories of transculturation, Sandoval-Sánchez and Sternbach show how, despite cultural differences among Latinas, their works share a common poetics by building upon the politics of representation, identity, and location. In addition to covering theater, this study also shows that solo performance has its own history, properties, structure, and poetics. It examines performances of Carmelita Tropicana, Monica Palacios, and Marga Gomez—artists whose hybrid identities as Latina lesbians constitute living examples of transculturation in the making—to show how solo performance has roots in and digresses from more traditional modes of theater. With their Latina heritage as a unifying link, these women reflect common traits, patterns, dramatic structures, and properties that overcome regional differences. Stages of Life reads these eclectic cultural productions as a unified body of work that contributes to the formation of Latina identity in America today.
From plantation performances to minstrel shows of the late nineteenth century, the roots of black theatre in Texas reflect the history of a state where black Texans have continually created powerful cultural emblems that defy the clichés of horses, cattle, and bravado. Drawing on troves of archival materials from numerous statewide sources, Stages of Struggle and Celebration captures the important legacies of the dramatic arts in a historical field that has paid most of its attention to black musicians.
Setting the stage, the authors retrace the path of the cakewalk and African-inspired dance as forerunners to formalized productions at theaters in the major metropolitan areas. From Houston’s Ensemble and Encore Theaters to the Jubilee in Fort Worth, gospel stage plays of the Black Academy of Arts and Letters in Dallas, as well as San Antonio’s Hornsby Entertainment Theater Company and Renaissance Guild, concluding with ProArts Collective in Austin, Stages of Struggle and Celebration features founding narratives, descriptions of key players and memorable productions, and enlightening discussions of community reception and the business challenges faced by each theatre. The role of drama departments in historically black colleges in training the companies’ founding members is also explored, as is the role the support of national figures such as Tyler Perry plays in ensuring viability. A canon of Texas playwrights completes the tour. The result is a diverse tribute to the artistic legacies that continue to inspire new generations of producers and audiences.
Closely recounting her discovery of the ways in which Rent took materials from her own novel, Schulman takes us on her riveting and infuriating journey through the power structures of New York theater and media, a journey she pursued to seek legal restitution and make her voice heard. Then, to provide a cultural context for the emergence of Rent—which Schulman experienced first-hand as a weekly theater critic for the New York Press at the time of Rent’s premiere—she reveals in rich detail the off- and off-off-Broadway theater scene of the time. She argues that these often neglected works and performances provide more nuanced and accurate depictions of the lives of gay men, Latinos, blacks, lesbians and people with AIDS than popular works seen in full houses on Broadway stages. Schulman brings her discussion full circle with an incisive look at how gay and lesbian culture has become rapidly commodified, not only by mainstream theater productions such as Rent but also by its reduction into a mere demographic made palatable for niche marketing. Ultimately, Schulman argues, American art and culture has made acceptable a representation of “the homosexual” that undermines, if not completely erases, the actual experiences of people who continue to suffer from discrimination or disease. Stagestruck’s message is sure to incite discussion and raise the level of debate about cultural politics in America today.
While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League.
The Provincetown Players created a revolution in American theatre, making room for truly modern approaches to playwriting, stage production, and performance unlike anything that characterized the commercial theatre of the early twentieth century. In Staging America: The Artistic Legacy of the Provincetown Players, Jeffery Kennedy gives readers the unabridged story in a meticulously researched and comprehensive narrative that sheds new light on the history of the Provincetown Players. This study draws on many new sources that have only become available in the last three decades; this new material modifies, refutes, and enhances many aspects of previous studies.
At the center of the study is an extensive account of the career of George Cram Cook, the Players’ leader and artistic conscience, as well as one of the most significant facilitators of modernist writing in early twentieth-century American literature and theatre. It traces Cook’s mission of “cultural patriotism,” which drove him toward creating a uniquely American identity in theatre. Kennedy also focuses on the group of friends he calls the “Regulars,” perhaps the most radical collection of minds in America at the time; they encouraged Cook to launch the Players in Provincetown in the summer of 1915 and instigated the move to New York City in fall 1916.
Kennedy has paid particular attention to the many legends connected to the group (such as the “discovery” of Eugene O’Neill), and also adds to the biographical record of the Players’ forty-seven playwrights, including Susan Glaspell, Neith Boyce, Edna St. Vincent Millay, Floyd Dell, Rita Wellman, Mike Gold, Djuna Barnes, and John Reed. Kennedy also examines other fascinating artistic, literary, and historical personalities who crossed the Players’ paths, including Emma Goldman, Charles Demuth, Berenice Abbott, Sophie Treadwell, Theodore Dreiser, Claudette Colbert, and Charlie Chaplin. Kennedy highlights the revolutionary nature of those living in bohemian Greenwich Village who were at the heart of the Players and the America they were responding to in their plays.
Essays cover the careers of major figures Clyde Fitch, Rachel Crothers, Mercedes de Acosta, Djuna Barnes, Cole Porter, Lorenz Hart, George Kelly, William Inge, James "Acorn" Oaks, Adam "Vagabond" Badeau, Eric Bentley, Loie Fuller, Robert Edmond Jones, and Jean Rosenthal. Grounded in research into the history of sexuality, the book engages central problems of terminology and evidence in analyzing sexual practices of the past and the modes of articulation of sexuality in theater, conditioned by American culture's peculiar anxieties about both.
Kim Marra is Associate Professor of Theatre Arts, University of Iowa. Robert A. Schanke is Professor of Theatre, Central College, Iowa. They edited Passing Performances: Queer Readings of Leading Players in American Theater History, a previous volume in this series.
Four case studies consider how the featured women—activist Ida B. Wells, singer Sissieretta "Black Patti” Jones, World War II black female defense-industry workers, and performance artist Rhodessa Jones—imagined and experienced the American West geographically and symbolically at different historical moments. Dissecting the varied ways they used migration to survive in the world from the viewpoint of theater and performance theory, Effinger-Crichlow reconceptualizes the migration histories of black women in nineteenth- and twentieth-century America.
This interdisciplinary study expands the understanding of the African American struggle for unconstrained movement and full citizenship in the United States and will interest students and scholars of American and African American history, women and gender studies, theater, and performance theory.
Rachel Anderson-Rabern explores the ideas of boredom and quotidian employment that permeate particular performance projects. Using Henri Lefebvre’s concepts of work roles within everyday philosophy, she demonstrates that collective creation gives rise to new economies of performance. The book also presents theories of the political stakes of danced gestural forms in performance, informed by Giorgio Agamben’s writings on gesture, and elaborates the ways in which these ensembles make use of durational performance to posit ethical frameworks: ways of living in the world.
Conversing with the ideas of Paul Virilio and Guy Debord among others, Anderson- Rabern claims that these groups posit new models of aesthetic politics through careful, speed-based investigations of construction and destruction that unearth the powerful potential of contemporary collaborative methods to be at once aesthetically minded, ethically driven, and politically engaged.
Staging Race casts a spotlight on the generation of black artists who came of age between 1890 and World War I in an era of Jim Crow segregation and heightened racial tensions. As public entertainment expanded through vaudeville, minstrel shows, and world's fairs, black performers, like the stage duo of Bert Williams and George Walker, used the conventions of blackface to appear in front of, and appeal to, white audiences. At the same time, they communicated a leitmotif of black cultural humor and political comment to the black audiences segregated in balcony seats. With ingenuity and innovation, they enacted racial stereotypes onstage while hoping to unmask the fictions that upheld them offstage.
Drawing extensively on black newspapers and commentary of the period, Karen Sotiropoulos shows how black performers and composers participated in a politically charged debate about the role of the expressive arts in the struggle for equality. Despite the racial violence, disenfranchisement, and the segregation of virtually all public space, they used America's new businesses of popular entertainment as vehicles for their own creativity and as spheres for political engagement.
The story of how African Americans entered the stage door and transformed popular culture is a largely untold story. Although ultimately unable to erase racist stereotypes, these pioneering artists brought black music and dance into America's mainstream and helped to spur racial advancement.
Such plays as "Let Freedom Ring" and "Waiting for Lefty" depicted experiences that paralleled the audiences' own, that entertained and absorbed them, and that showed them the personal, social, economic, and political changes that could be achieved through the struggles of the labor movement.
In clear and moving prose, Hyman traces the history of workers' theater from its grassroots origins to the Federal Theater Project of the WPA under Roosevelt and into unions' recreational programs. Even today, the tradition of workers' theater endures in local and regional productions that reflect current worker concerns or revive significant workers' plays of the Depression period. Hyman shows that the significance of workers' theater lies not only in the plays produced but also in the audiences' experience, in coming together out of common concerns to achieve a solidarity that emphasizes the effectiveness of collective action.
Lair and Knott's discovery of new developments in theater and entertainment during the 1920s led the pair to careers that kept each of them center stage. Inspired by programs such as WLS's Barn Dance and the success of early folk events, Lair promoted Kentucky musicians. Knott staged her own radically inclusive festival, which included Native and African American traditions and continues today as the National Folk Festival. Michael Ann Williams shows how Lair and Knott fed the public's fascination with the "art of the common man" and were in turn buffeted by cultural forces that developed around and beyond them.
Although his story has been told countless times--by performers from Ma Rainey, Cab Calloway, and the Isley Brothers to Ike and Tina Turner, James Brown, and Taj Mahal--no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan," Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in 1895.
How the legend grew is a story in itself, and Brown tracks it through variants of the song "Stack Lee"--from early ragtime versions of the '20s, to Mississippi John Hurt's rendition in the '30s, to John Lomax's 1940s prison versions, to interpretations by Lloyd Price, James Brown, and Wilson Pickett, right up to the hip-hop renderings of the '90s. Drawing upon the works of James Baldwin, Richard Wright, and Ralph Ellison, Brown describes the powerful influence of a legend bigger than literature, one whose transformation reflects changing views of black musical forms, and African Americans' altered attitudes toward black male identity, gender, and police brutality. This book takes you to the heart of America, into the soul and circumstances of a legend that has conveyed a painful and elusive truth about our culture.
The author searched the Colorado Rockies from the time she saw and sketched her first ghost town until she had rediscovered and painted the vanishing mining camps. Twenty-two maps give the location of each one and serve as a guide for those who want to reach them by car or jeep, by horseback or on foot.
The hardships of the early prospectors, the strikes they made, the gold and silver mines they uncovered, the towns they established, and the rise and fall of their fortunes are vividly recorded.
Names and dates are given of the earliest finds, of the most important mines and the money they made, of the newspapers printed, and of the hotels, churches and theaters erected. The difficult supply routes into the rocky fastnesses are also clearly traced. But all these facts are humanized by an author who is an artist rather than a historian, and to whom all this mining in the Colorado Rockies is essentially the story of heroic pioneer effort—the men and women behind the deeds.
The book contains 212 separate sketches made by the artist-author on the spot at the oftentimes remote and completely deserted mining camps. These pictures, as well as her 1200 other lithographic sketches of Colorado towns, form an invaluable record of places which are rapidly disappearing under the ravages of fire, wind and snow.
In the age of digital communications, it can be difficult to imagine a time when the meaning and imagery of stamps was politically volatile. While millions of Americans collected stamps from the 1880s to the 1940s, Stamping American Memory is the first scholarly examination of stamp collecting culture and how stamps enabled citizens to engage their federal government in conversations about national life in early-twentieth-century America. By examining the civic conversations that emerged around stamp subjects and imagery, this work brings to light the role that these underexamined historical artifacts have played in carrying political messages.
Sheila A. Brennan crafts a fresh synthesis that explores how the US postal service shaped Americans’ concepts of national belonging, citizenship, and race through its commemorative stamp program. Designed to be saved as souvenirs, commemoratives circulated widely and stood as miniature memorials to carefully selected snapshots from the American past that also served the political needs of small interest groups. Stamping American Memory brings together the histories of the US postal service and the federal government, collecting, and philately through the lenses of material culture and memory to make a significant contribution to our understanding of this period in American history.
The late Philadelphia Daily News sportswriter Stan Hochman was known for his many zingers, such as “Harry Litwack, the stoic Temple coach, stalks the sidelines like a blind man at a nudist colony.” As a reporter, he was more interested in how athletes felt, what their values were, how they lived their lives, or what made them tick than he was about how many runs they scored or punches they landed.
In Stan Hochman Unfiltered, his wife Gloria collects nearly 100 of his best columns from the Daily News about baseball, horse racing, boxing, football, hockey, and basketball (both college and pro), as well as food, films, and even Liz Taylor. Each section is introduced by a friend or colleague, including Garry Maddox, Bernie Parent, Larry Merchant, and Ray Didinger, among others.
Hochman penned a candid, cantankerous column about whether Pete Rose belongs in the Baseball Hall of Fame; wrote a graphic account of the Muhammad Ali and Joe Frazier fight of the century; and skewered Norman “Bottom Line” Braman, the one-time owner of the Eagles. He also wrote human-interest stories, including features about the importance of kids with special needs playing sports.
In addition to being a beloved writer, Hochman was also known for his stint on WIP’s radio as the Grand Imperial Poobah, where he would settle callers’ most pressing debates. Hochman long earned the respect and admiration of his subjects, peers, and readers throughout his career, and Stan Hochman Unfiltered is a testament to his enduring legacy.
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